Shinique Smith’s monumental, 28-foot-wide artwork, Memories of my youth streak by on the 23, captures a nostalgic remembrance of youth and the formative experiences that permeate the artist's practice. It evokes the sentiment of gazing from her bus window witnessing the blending of storefronts and row houses while catching glimpses of her own reflection as

Jeane Cohen's paintings in This Watching Land progress through animal worlds, various landscapes, firescapes, and abstraction and ask the viewer to consider nature as sentient and always watching us back. The landscapes are not portrayals of particular places, instead they represent explorations of natural terrains. This Watching Land is Cohen's first museum solo exhibition and immediately

Showcasing both an everyday attentiveness to his surroundings and making visible legacies of extraction that might not be readily apparent in the landscape. In(hospitable) makes reference to the infraestructural failures that make residing in Puerto Rico challenging and challenges the pictorial conventions that depict the tropics as paradisiacal. In(hospitable) in its gesture of subversion asks if there