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I am an interdisciplinary artist with an inclination to value what others have discarded or left behind. I regard history as a renewable resource that should be utilized in making decisions for the future...

My installations and paintings seek to reflect contemporary issues...

Mr. Anselmi’s current work explores the use of found materials to create artwork that juxtaposes imagery and abstraction...

The content of my paintings lies beyond the visible features of woods and rocks and water.  My intention is to convey the sense of a place; the moving air, the solidity of rock and the transience of water and the strength of the ground beneath...

I paint air. Landscapes, Still Life, LOBSTER BOATS--it doesn’t matter. The color and texture of the air and how to recreate it with daubs of oil paint on canvas are the driving influences in my artwork...

Mary Armstrong lives in Georgetown, Maine, and paints her home territory; she builds up her landscapes with layers of oil and wax to reflect its luminous dance in all seasons. Armstrong also has studios in Venice, Italy and Newton, Massachusetts, where she teaches painting at Boston College. A graduate of Boston University and the Skowhegan School School of Painting and Sculpture, she has shown her work at the Victoria Munroe Gallery and Graham gallery in New York and the Portland Museum of Art, and throughout the U.S. and Ireland.

My work has always been rooted in the natural world, and has developed from observational studies to expressive evocations of nature...

"I investigate my immediate environment with a focus on texture, scale, pace and proximity using inventive mark-making and intuitive drawing practice..."

R. Scott Baltz’s paintings of the Maine landscape are distillations of perceived experience, filtered through the passage of time, memory, and imagination. Many weeks, months, or even years may pass before he returns to a particular image in the studio, prompted by rough pencil sketches or photographs made on site. Working from memory coalesces and intensifies his remembered perceptions of a scene, resulting in paintings that appear to pulsate with internal energy.

It is the moment, it is the memory that moves me to make art. I want to capture the actuality of the physical and emotional experience of Nature in many forms. By definition, such perception is intuitive, inspirational, and beautiful, an essence that through my hand I can share...

Kate Beck (b. 1956, Maine, USA) creates paintings and drawings coalesced of intensity, intimacy, and silence that result from a systematic starting point of materials and geometric shape. Her muted color cadences and detailed surfaces are parallels to the nature of light and her relationship with the sea...

Jeffery Becton is a visual artist based in Deer Isle, Maine. He uses the tools of digital photography to compose ambiguous spaces in which landscape and interiors exist as one...

Fascinated with movement, kinesthetics, and the basic laws of motion, I work from the premise that the understanding of movement can be revealed through repetition. Beginning with the body, combining materials with movement, my work synthesizes a personal history and deep connection to body movement...

John Bisbee’s powerful, precise sculptures transform hardware—nails—into meditations on pattern...

I have been painting for many years in Maine, using watercolor in a non- traditional manner. I rely on my environment for inspiration.  My work has grown from traditional beginnings, to realist, to my own contemporary style with roots in Modernism...

I began making paintings of what was right in front of me, which was a chair in my studio. I thought that if I made paintings of this neutral subject matter over and over I might be able to explore the abstract, formal and painterly issues I was interested in, while having clear visual parameters to look at and work from...

Part artist, part scientist, part adventurer, and part magpie, I’m insatiably curious about the world, and particularly drawn to the coastal area between high- and low-tide. Still life photography enables me to explore complex relationships between human and non-human occupation of the intertidal zone while reveling in the textures and patterns of the objects I find...

Finding one's place in the world has been a recurring theme in my work. As I grow older it seems I have learned that it does not take much to be connected...

Louise Bourne is a painter living on the Blue Hill Peninsula. She works from direct observation as well as from memory and sketches. Her work deals with light emanating from water, land, sky, interior and exterior spaces, and with people in these light conditions. She teaches college courses and private workshops...

Poetic, poignant, delightfully unselfconscious, Katherine Bradford's paintings defy categorization and seem to embrace their own internal light. “When I’m actively painting, I try to get in a kind of zone where my rational brain doesn’t take over..."

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